Babel (2006)
Human connection has no cultural bounds.
Presentation:
Iรฑarritu implements his signature style of interconnecting stories of humanity, this time from vastly different cultures. Itโs much more polished as the 4 stories are more seamlessly interwoven as opposed to one arc followed by another in Amores Perros. All stories could be a film by itself and each is extremely riveting. The cinematography is also improved though still uses handheld and deliberate framing especially toward the beginning. Then it focuses on the story as to not distract us visually.
Conclusion:
The film explores humanity with such a fresh voice. This is a film that either hits or misses completely. I felt the connection and human intimacy but I can imagine many people that wonโt understand the cinematic language of Iรฑarritu. Where Terrence Malick fails, Iรฑarritu succeeds in portraying the human condition.
Recommendations
Every scene a painted living masterpiece.
When youโre even more Andersson than Wes Anderson.
How are films like this even possible?!
Cinematic trolling at the peak of the French New Wave.
Anythingโs possible in quantum surrealism!
A cure for the human condition?
Thereโs always the sweetness of life.
The regretful trip down memory lane.
Itโs showtime!
Man is born with a blood alcohol content 0.05% too low.
Why simple is cinematic.
Even angels desire human connection.
A never-ending party you canโt wait to leave.
And so the ambiguity grift begins.
Is it better to suffer injustice than do it?
The collapse of western civilization starts with a face mask.
No wonder no one wants to get married.
Realities of a broken education system.
Are time travel films from the past better?
Subverting suburban horror.
A different war on drugs.
All the worldโs a stage.
Human connection, connected through randomness.
Wit as crude as a diamond.
Human connection has no cultural bounds.
What does a dog fighter, supermodel and assassin have in common?
From pulse to flatline.
Recounting the flaws of human bias.
Living three lifetimes in three hours.
The end for Roy Andersson?