The Bridges of Madison County (1995)
Sometimes the realest love is the most bittersweet.
Presentation:
The romance starts slow beginning with two children trying to understand a mother’s dying wish. This plot structure is quite unique in that we are shown how the film ends early, but only half of the picture. It’s a remarkable effect because you’d expect this to make us invest in the characters less, but this exactly what makes the love feel more precious. Meryl Streep is dignified, respectable and gains our utmost attention with a grace that transcends her visual beauty. Clint Eastwood tries his best to be earnest and he does surprisingly feel more charming compared to his more well known roles. I think his gentler more enigmatic persona ultimately works so well because it allows Streep to shine and take command. It’s great chemistry, which you’d normally only expect such passion to be possible from younger couples.
Conclusion:
This is quite a surprising film directed by Eastwood, illustrating his sophistication and depth both as a filmmaker and actor. But it’s really Meryl Streep that we fall in love with, whom is elevated by the contrasting quiet intensity from her counterpart. It’s touching, never cheesy and the realism makes it all so bittersweet in a very satisfying experience. There’s a special kind of reluctance, understanding and genuine passion that I did not expect to connect with being someone much younger. The simple housewife in the middle of nowhere setting makes this eternal romance feel all the more impressive.
Recommendations
Is love selfish, or the ultimate sacrifice?
Spanish cinema has the spiciest romance mysteries.
It’s a lonely life for confused lovers.
When you’re even more Andersson than Wes Anderson.
Poetry comes from the unlikeliest of drivers.
Anything’s possible in quantum surrealism!
The regretful trip down memory lane.
It’s never just a pair of earrings…
Red is always the most cinematic color.
The key to your promotion is a really nice apartment!
But what about Denji’s heart?
To love someone to death.
Even angels desire human connection.
Is it better to suffer injustice than do it?
Every frame a painting.
Some traumas can’t be washed clean.
Draw me like one of your French girls.
Fight, flight or love?
Not the boxing film you envisioned.
Closing the chapter to Clint Eastwood’s westerns.
The archetypal western.
Was the title not quirky enough for you?
Don’t forget to love.
Love, guns and on the run.
Musicals can indeed be cinematic.
If Seinfeld was a movie.
The splash before the French New Wave.
Constantly shifting perspectives that might just shift yours.
Let Park Chan Wook cook!